In September of that year, the band celebrated their 10th anniversary of signing onto a major label by holding a special concert over two days at Yokohama Stadium. The track was also used as the ending theme to the movie.
The album peaked at number three and stayed in the Oricon top five for nearly two months. Like the previous year, a compilation album was released in July to advertise the Nano-Mugen Festival. Over the course of the year, the band released four more singles: Although they took part in various domestic summer festivals, AKFG gradually became more and more withdrawn over the course of before ending appearances almost entirely.
The tour consisted of thirteen shows. The mini-album features songs conceived around the time of the recording of their preceding full-length album. Despite the lack of media appearances and the significant time-span between their releases, the album topped the debuted Oricon charts on its first week before eventually relapsing the weeks after.
History[ edit ] — The four spent the remainder of the year playing in clubs and hosting independent events. Drummer Kiyoshi Ijichi joined them later on after parting with another college band he was in.
Re Tour, performing at forty-eight concerts in thirty-eight cities throughout Japan. Rather than featuring hit singles, the nostalgic album was primarily compiled of B-sideslive performances, and old demos from their early indie days. Tickets for all thirty-eight shows quickly sold out.
It also includes behind-the-scenes documentary directed by Toshiaki Toyoda and filmed at Kanto Gakuin Universityas well as outtakes from the music video for "Kimi to Iu Hana. Fanclub[ edit ] Due in part to their growing recognition, Asian Kung—Fu Generation would dedicate a significant amount of time the next couple of years going on extensive national tours.
Road to Ninjawhich was released on July After graduating from college, following years of playing in several small venues and having collaborated with fellow Japanese rock musician Caramelman, AKFG released their first indie EP in It featured a concert from their March hall tour "World World World", which featured a more experimental set design and set list, as well as the use of instruments such as tenori-on and a strings section.
This time, however, the band wrote songs in Japanese. Well overfans attended this tour, which traveled through eight cities and featured guest performances by bands from Japan and the United States.
Even though it retained little new material, the compilation was met by commercial success and managed to debut at number two on the Oricon charts.
It was also the year that the band withheld their annual Nano-Mugen Festival. The four then began providing performances at their university as well as throughout the local Yokohama area.
At the same time, the band announced that at the end of Marchthey would be releasing a new single titled " Solanin ", which was to be used as the theme song to the film of the same name. The second half of the set included the whole of their album Surf Bungaku Kamakura from start to finish.
The following month, the band went on a national tour entitled, Count 4 My 8 Beat. The Start of a New Season. The album received critical praised for its honed sound and high production quality, which thoroughly nullified the language barrier that frequently impeded non— Japanese -speaking audiences.
It is featured on the Nano-Mugen Compilationreleased on June 27, The song was eventually picked up by a popular radio DJ and put into heavy rotation on the station FM Yokohama upon the demand of listeners.
Member, November-," at Budokan, where they performed before an audience of over 10, people on December 5, Meanwhile, the second disc contains clips from their first concert at the Shimokitazawa Shelter Club on November 2, REWRITE Asian Kung-Fu Generation Format: Audio CD.
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